Education
Classroom to pay day.
Education
Four years of student work, scattered across campus drives and expiring licenses. Then graduation wipes the record.
Scripts on a shared drive. Footage on borrowed licenses. Credits in the end-card and nowhere else.
With Mix-IP
The whole program on one record
A student short through Mix-IP
One thesis film, one crew, everyone on the record.
A student saves draft one and it is on the record — timestamped and attributed before anyone else touches it.
- The first draft outranks a copycat’s — the record settles who wrote it.
- Draft history stays attached.
- Chain of custody starts at the idea, not at the export.
The script registers the day it’s written.
Fourteen students crew the short and every one signs a real agreement and takes a real share of the royalty pool.
- An actual release, enforceable after the class ends.
- Paperwork made simple and AI-assisted — no lawyer to retain.
- The runner holds a share too, not just the director.
Contracts that are real, not theory.
Every clip lands with provenance attached, and the cinematographer’s credit accrues take by take.
- Chain of custody starts with the slate.
- On-camera talent signs releases in the same flow.
- Live critiques and screenings record to the same record.
Provenance from the first take.
Every screener is a gated share with a per-recipient forensic watermark, and every view is on the record.
- NDA-gated when the cut is not public yet.
- Paste a leaked frame’s watermark and it names the viewer.
- Every open logged, one screener at a time.
Festival screeners that don’t leak.
The contract auto-fills from the rights record and the splits engine routes every share, so credit and money arrive together.
- Nobody invoices anybody.
- Later license events re-split automatically.
- Paid in 60+ currencies, wherever they’ve gone.
- A registered portfolio that outlives the .edu address.
The record pays. Everyone on it.
The verifiable creative CV
Tools expire with the .edu address. The record doesn't.
Graduation wipes most of what a student made — campus drives close, licenses lapse, portals archive. What survives on Mix-IP is the part that matters: a registered portfolio, a chain of custody, a payment history, and every credit. Anchored to a public chain, so the proof doesn’t depend on us either.
Expires at graduation
What the .edu address takes with it.
For programs & institutions
The story is the student. The outcome is yours.
Deans and program directors are measured on what graduates can show for four years. Mix-IP makes that measurable — work that’s verifiable, credited, and paid.
The whole ecosystem
The industry isn't only the people on camera.
Students & contributors
Credits, releases and splits are part of making the work, not paperwork handed over at the end.
Faculty & supervisors
Supervise a project without becoming its administrator: permissions, sign-offs and the record of who did what are handled in the product.
Guest mentors & collaborators
Someone from outside can join a project, be credited for the part they did, and have their agreement sit on the same record as the students'.
Programs & departments
The institution sits on the project as co-producer, at a share the program sets.
Alumni & working professionals
They leave on the same system the industry runs on, so nothing is relearned at the first job and the student work travels with them.
Buyers & licensors
Whoever wants to use the work finds the owners and splits already attached to it, and can clear a license the same day.
Three programs, one record
What a program year looks like on the record.
All three are illustrative composites — program scenarios, not named customers.
Film program · thesis slate · Directing & cinematography tracks · full crews on splits
Every short leaves for the festival circuit with its rights record and releases attached — and every crew member’s credit on their own CV.
14 Thesis shorts · 96 Students on splits · 100% Crews credited
Journalism program · capstone · Capstone cohort · every frame carries its chain of custody
Graduates walk into newsroom interviews with verifiable, provenance-backed published work — proof of authorship a standards desk can check itself.
22 Student reporters · All Footage provenanced · Public Verification page
Music & media program · single release · Directing, performance & production tracks · full splits
The video goes out on music apps and video platforms the day the track does. When either earns, the splits engine pays the whole credit list — automatically.
2 Releases registered · 31 Contributors on splits · Auto Re-splits on license
Pro Transfer App
Built for the file sizes you actually shoot.
Student films shoot on the same cameras the industry does. Pro Transfer App moves the real files — resumes when the dorm WiFi drops, and verifies the byte hash on landing.
Per-recipient encryption. Per-folder permissions. Resumable uploads that survive campus-network hiccups without losing the day’s footage. macOS and Windows. Free on every plan including Free.
Measured 14 Jul 2026 on a 485 Mbps uplink. Pro Transfer App isn’t your bottleneck — your connection is. Throughput scales with the line you have.
Proof anyone can check
A record anyone can verify — no account, no login.
Education
Take your program from classroom to pay day.
Start with one cohort or one thesis slate. Registration at creation, real contracts, splits across the whole crew — and a record your students keep for life.
The silent-contributor promise: the full crew is on the record — every credit from director to runner — and the record pays.