Live Studio

Roll the cameras. Cut it live. On the record.

Live Studio turns phones, drones, and pro cameras into a remote multi-camera control room in your browser. Hold a talking-head, then cut out to field cameras and drones — solo, from one console. The moment you stop, every recording is already in your Project, instantly IP-registered.

Cameras roll. You cut live. It’s on the record.
Why Live Studio

A live shoot usually needs a truck, a crew, and an edit after. Now it needs a browser.

A switcher in one rack. Comms on a separate radio. Cameras cabled to a room. Then hours of exporting, uploading, and paperwork to prove who shot what and who gets paid.

With Mix-IP

Live Studio puts the whole live shoot in your browser — every camera in one gallery, one director cutting it live, and every recording landing on the record the second you stop: rights-aware, registered, and ready to pay out.

Solo One console, many cameras One person directs a multi-camera live show — phones, drones, and pro cameras — from anywhere.
Consent-first Every source clears the gate Cameras consent to being on air before they publish — with a lawful-basis check before any public shot.
Instant Recordings land registered Program and every camera land in the Project instantly IP-registered — no export, no upload step.
Built-in Revenue split at the source Set who shares the broadcast’s revenue — contributors and external payees — before you even go live.

01/07

One director

Run the whole show — solo.

Your built-in camera and mic are program sources. Hold a talking-head, then cut out to field cameras and drones — solo, from one console. Arm a source to preview, take it to program, and Live Studio gives one person the entire gallery, so a single director can run a multi-camera live show from anywhere.

  • Start on your own camera and mic, then cut away to any source in the gallery.
  • Arm a camera to preview, then take it live — clean, hard cuts on the program.
  • Field cameras and drones join the same gallery, switchable like any other shot.

02/07

The Operator app

Your phone is a broadcast camera.

The Live Studio Operator app turns any iPhone into a professional camera channel. Sign in, join the director’s session with a pairing QR or a session code, pick your role — Camera, Host, or Guest — and go live. You publish; the director cuts.

  • Join in seconds — scan the pairing QR on the director’s screen, or paste a session code.
  • Consent-first: flip the on-camera consent toggle before you publish, and leave any time to revoke.
  • Front and back cameras, a Go Live control, and auto-reconnect when the signal gets rough.

03/07

Talkback

Everyone hears the director.

A live show is only as good as its comms. Talk to the whole crew from the console, hold push-to-talk from the field, and send program-return to your talent — so everyone knows who’s on air and what’s next, without a separate radio system.

  • Push-to-talk or hands-free VOX between the director and every camera.
  • Program-return to your on-camera talent, mixed so they never hear themselves.
  • Tally on every phone — ON AIR and NEXT — so operators always know their state.

04/07

Sources

Every kind of camera, one console.

Phones, drones, action-cams, and pro cameras all land in the same gallery. Pair a phone with a QR, add a DJI or GoPro, or bring in OBS and pro-cams — save an encoder once and it’s ready for every future show.

  • Pair a phone as a camera in a single scan.
  • Drones and action-cams — DJI, GoPro, Insta360 — join as live sources.
  • OBS and pro cameras join too; saved encoders are one click next time.

05/07

Ready for air

Cleared to roll before you’re live.

Live Studio won’t let you go live half-ready. A go-live checklist confirms a source is admitted, the director’s present, recording is targeted, and sound is checked — and every source clears a capture-consent gate first, including a lawful-basis check before an uncontrolled public shot goes on air.

  • A readiness checklist gates go-live: sources admitted, recording set, soundcheck done.
  • An IFB check and a warm multiview preview before you ever go public.
  • Consent-first capture — a lawful-basis gate before a public-space source is admitted.

06/07

Go live

Broadcast to the world, or just your page.

Push the live program straight to YouTube, or stream it on your own Mix-IP watch page. Save a destination once — paste the stream key from YouTube Studio — and arm it for every future broadcast.

  • Restream the live program to YouTube in one click.
  • Or broadcast to your own Mix-IP watch page.
  • Save a destination once; arm it for every future show.

07/07

One record

The second you stop, it’s on the record.

When the broadcast ends, the program and every camera’s ISO recording land in your Project — exactly once, and instantly IP-registered as rights-aware assets, each with a Standard License, attribution, and a source-trust tier for chain-of-title. No export, no upload, no separate registration step. And the revenue split you set at the source is ready to pay out.

  • Program plus per-camera ISO recordings, each landed in the Project exactly once.
  • Instantly IP-registered — Standard License, attribution, chain-of-title — for every user.
  • Revenue split set at the source, for contributors and external payees alike.
Connects to

Live Studio threads the whole record.

Cameras roll here — and the recording cascades out to its neighbors on the record, each one already knowing the broadcast the moment it lands.

Live Studio

Roll the cameras. Cut it live. On the record.

Direct a live multi-camera show from one browser — phones, drones, and pro cameras in, one program out, every recording on the record and ready to pay out.

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